Reversing the Inevitable begins in the scrapyard, a place where vehicles reach their final destination, a metaphor for death and inevitability. Using stock footage of abandoned cars, their trajectories are digitally reconstructed and rewound, generating paths that travel not forward into destruction, but backward into the vitality of motion.

This inversion transforms the scrapyard from an end point into a source, unfolding the lost possibilities embedded in the data of movement. By reversing the direction of time, the work questions whether inevitability can be undone, at least within the digital realm. It reflects on destiny, memory, and the fragile beauty of motion when seen against the certainty of its end.